Monday 25 October 2010

Film Scores

I tried to resist writing this - I've been wanting to for the last hour but really held off - now I know that if I don't I won't stop thinking about it until I do so I figured I'd stop fighting it.

I won't say much about it because it isn't much at the moment and I don't wanna throw undue pressure on him but I got the first bit of the score for scAIRcrows today and it's a beautiful throwback (I think) to 70s/80s Italian movies.

It basically set me off on an evening of rediscovering scores from that era. To me, the score is such an important part of a film - I couldn't tell you how many I own. I think scores can give the film an identity like nothing else can - they're the most solid way of setting the tone/feel of a film. I know there's the argument that you're telling people what to think, influencing them by music. Which is true but I just think, for me, you're creating a piece of art and this work needs to have its own atmosphere/ambiance. And one way of infusing that is via music. I even honestly think that there's some films out there that I like more than I should because I think the music fits so well.

So, if you have a spare 20 or so mins - check out these tracks I've picked from a few films:


The Church:




The Beyond:

I do want to make it clear that the score for scAIRcrows doesn't necessarily sound like above, nor is that what I'm angling for - Wayne's come up with something that I think's perfect without any interference from me so I think we should keep it that way. But it did get me thinking about the above and resulted in enjoyable revisiting of original music - how many horror scores these days do you find that sound as original as the above? And before anyone thinks it - I'm not looking through a window of nostalgia here, at 26 years old, it is absolutely impossible for any of these films to be that nostalgic to me... I just appreciate it when people try and do things a bit differently.

As an aside, I finished the rough cut on scene 4 - of all the rough cut footage so far - this is definitely the roughest and I can see myself spending a lot of time tweaking this but it's nice to see it sat there almost fully formed. A few trims here and there and it'll be sorted. It brings us to eight minutes of the film in rough so we're slowly creeping up there! As I mentioned before, expect things to move a bit more quickly now that production is finished.

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